R.R. Terry

The carol's text draws from the 15th-century German Latin carol Resonet in Laudibus (meaning "Let praises resound"), a processional hymn celebrating the Nativity. The English translation was popularized in the 19th century by hymnologist John Mason Neale, who adapted it into a festive verse form. Terry's contribution came in the early 1900s when he set it to a lively, modal melody derived from traditional sources, making it suitable for SATB (soprano, alto, tenor, bass) choir or unison singing. It first appeared in his 1912 collection Twelve Christmas Carols, alongside other arrangements like "The Angel Gabriel" and "Lullay, Lullay." This anthology helped restore polyphonic carols to Catholic and Anglican liturgies during the Christmas season.The piece evokes a joyful, medieval atmosphere with its sprightly rhythm (often marked Allegro moderato at around 160 beats per minute) and simple harmonies, perfect for congregational or choral performances. It's scored for voices with optional organ or piano accompaniment, emphasizing themes of light overcoming darkness—a core Nativity motif.