Richard Farrant (c. 1525 – 30 November 1580) was an English composer and organist during the Tudor period, known for his contributions to Anglican church music. Details of Farrant's early life are scarce. He is believed to have been born around 1525 and received his musical training in the Chapel Royal, where he later served as a Gentleman. His career was primarily associated with the English court and its musical institutions. In 1564, he was appointed Master of the Choristers at St. George's Chapel, Windsor Castle. He held this prestigious position until his death, also serving as organist there. He was additionally a Gentleman of the Chapel Royal under Queen Elizabeth I. Farrant's compositions are mainly sacred vocal works, including anthems and services. His most well-known pieces are the anthems "Call to Remembrance" and "Lord, for Thy Tender Mercy's Sake" (though the latter's authorship is sometimes debated and attributed to John Hilton the elder). Another frequently performed and admired anthem is "Hide not thou thy face" (from Psalm 27), a concise yet profoundly expressive work that pleads for God's mercy and forgiveness. Like his other anthems, it was one of the most popular of its era and remains enduringly appealing today due to its direct word-setting, clarity, and emotional sincerity—qualities enhanced by Farrant's theatrical background. These works are characterized by their clear, expressive polyphony and emotional depth, reflecting the solemnity and devotion of the Anglican liturgy. Beyond his musical duties, Farrant was also involved in theatrical productions. He wrote plays for the Queen's company of child actors, including "The Arraignment of Paris" and "The History of King Edward II". He established a private theatre in Blackfriars, which contributed to the development of early English drama. Richard Farrant died in Windsor in 1580. His musical legacy, though relatively small in quantity, is significant for its quality and its embodiment of the English musical style of the late 16th century. He is remembered as an important figure in the development of Anglican church music.